Finished!

creative flowering

The novel doesn’t have a name. The series doesn’t have a name. The feelings I have right now don’t all have names, but that doesn’t change the fact that I finished.

Yes, finished.

I’ve completed the first (full) draft of my second novel.

It is one-hundred and thirty-eight thousand words long, which is four-hundred and ninety-two pages. It took me two tries, with one near-complete rewrite. It took courage, because the people in this story are not kind. It took dedication, because this was a very long haul, and nothing about the story came easily or without destabilizing everything I’d already written. It took tenacity to forge through my doubts, and balls of steel to rally the nerve to try again, no matter how often the story unraveled.  It took over a year to get to this moment, the one just after typing “Austin, Texas – April 7, 2013″ at the end of the manuscript. I am hopeful and tired and slightly in awe of whatever it is that compels me to put forth this much effort. I don’t know if I deserve this largess. I don’t know that I would have asked for it. Yet here it is – because of me, because I didn’t give up. No one can ever take this moment from me. The manuscript could be lost, it could be turned down by every publisher, it could get laughed at by everyone who reads it, but none of that changes the fact that I accomplished this. I finished my second novel!

This is worth every pre-dawn writing session, every missed party, every Saturday spent alone with my keyboard. I can’t imagine life without this, I can’t imagine me without this. Thank you to everyone who helped me move through the darkness, doubt, and story paralysis to reach the fullness of this blossoming, this becoming.

-aniko

Silly Candid Video

The office is closed for Good Friday. A crazed dictator has my city on his hit list. I’d say there’s no better time to upload an old video I found in the dust of my camera’s SD card.

It is circa early 2012, and I am wearing my thrift-store find, grandpa style writing sweater. I am in my sun room, by the desk where all of my stories are born. Mr. Aniko is the off-camera voice.

“It’s possible to be emotive without being twitchy!”

Perspective

I’m eating my lunch in the company kitchen. It is a wholesome lunch, nutritious and just enough to satisfy my hunger without leaving me sleepy. I’m  telling you about my lunch because I have no idea how to start this post. A group of co-workers discusses the upcoming Thai New Year, and I set aside the laptop to prepare my salad. The fridge here has the habit of turning my homemade herb-and-lemon flavored olive oil dressing into a congealed, light green mass speckled with lavender buds, snips of marjoram, and piney threads of rosemary. I cross the room to microwave my dressing. Ten seconds on the clock and someone calls out to me.

 ”How’s the book going?”

“It’s going well,” I say. “It’s five hundred pages and still going.”

“Wow! I meant the book you have for sale, how’s that going. I didn’t know you were writing another.”

“Writing’s what I do. Selling? Not so much.”

“Is the new one a sequel to STOLEN CLIMATES, part of a series?”

“It is the first in a series, but it is not a direct sequel.”

Another person said, “I’m too scared to read your book; I heard it was scary.”

“I didn’t think it was that scary,” I say, retrieving my salad dressing from the microwave.

“Well, maybe scary isn’t the right word. Just, you know, people are like, “Is that what goes on in her mind?”

“People always think that because I wrote the book, I thought it up, but I’m as surprised as anyone with what happens. The ideas aren’t ‘in’ my head, they sort of come from somewhere out here.” I wave the hand that is not holding my salad dressing somewhere beyond my right ear. “I guess that sounds crazy.”

“No,” a third person says. “It sounds brilliant.”

The one who started the conversation smiles and says, “The most creative things do come from crazy people. Music, art… Have you seen MISERY? Someone might kidnap you and force you to write.”

“If they give me good food and a comfortable bed, that can work for me,” I say.

There is a slight pause in conversation, as there always is at a quarter past the hour.  The woman who is afraid to read my book broke the silence. “Did you write much when you were on vacation in Hawaii?”

“Not at all.”

“Really?”

“I discovered that when it is so beautiful, when everything is so good, I have no drive. Why create something when you are already in a perfect moment? I’m writing now that I’m home, though.”

And the writing has been amazing. The book is far longer and more complex than I could have imagined at the outset, and far more intriguing. I am at the stage where I can see everything, how all the details I didn’t understand are coming together to form the whole. The book is as real to me now as the work that I do during the day, or the people who were talking to me in the lunch room. I catch glimpses of people in the halls or passing me in traffic, and I think for an instant I’ve seen one of my characters. I love this phase of writing a novel. This is why I do it. The knowledge of this feeling – this utter completeness – this is what pulls me through the doubt and confusion that come with writing a book. It is a rush.

My attitude towards writing has reverted to something more pure than it was when I started this book. If you are a long time reader, you know I started out with a specific plan, complete with publication goals and strategic marketing. When I realized I wasn’t going to make the first goal, I dropped out of the internet. I spent two months living my life, not writing, not blogging, not thinking about publication. I made some major lifestyle changes, and as my well-being improved, I gained clarity. I do not have to stick to plans driven by publication. I do not have to blog weekly. I do not have to build a brand, or build my bookshelf, or market what I write. What I need to do is simple: eat healthfully, sleep well, laugh, and write for the joy of it. It is all so very, very simple. It took months of changing one small thing at a time to get to this point. I have finally stopped framing my decisions and goals in ways that inhibit my natural trajectory towards being exactly who I am meant to be.

As a result, I am not planning to self-publish my book when it is finished. I am going to send it to traditional publishing houses, and while it makes the year(s)-long rounds, write the next book(s) in the series. If I get to the end of the series and no one is interested, then I’ll consider self-publishing.

Maybe.

The fact is that I am not good at being an indie. I don’t have any drive towards the post-production/after-writing aspects of being indie. I went that route with STOLEN CLIMATES because the thought of the submission process sounded stifling, and everyone pointed out how I’d make less with a traditional contract. However, that concept only applies if you’re making money. I’ve never even come close to recouping the production costs of  STOLEN CLIMATES. Some days, I consider pulling it out of publication all together, which would really amount to unpublishing on Amazon. After more than a year, I still haven’t made STOLEN CLIMATES available on all platforms (read: B&N, Apple, etc). I never even got around to making a print version. And I have no interest in doing those things on my own.

I will never be a successful indie.

emergenceAnd that’s okay, because I understand now how much the act of labeling myself poisoned my ability to focus on writing. I was so worried with all the things an indie must do to be successful, that I couldn’t see the sheer simplicity of living to write, as opposed to living to write something to sell. I still want to share the stories I create, but now I am willing to see if I can find a partner to help me do that. Maybe I won’t, but I believe in what I’m doing. The best part of all of this is that waiting for responses from publishers won’t matter because while I am waiting, I will still be writing.

That is what I wanted to say. It took a frozen block of olive oil and some random conversation, but I’ve managed to find the words. I am no longer who I thought I was.

Mahalo, Kaua’i

Vacation is a magical word, conjuring images of palm trees, sunlight, and precision relaxation. I’ve just returned from a week in Kaua’i, the Garden Isle of Hawai’i. It was everything ‘vacation’ conjures.

Mr. Aniko and I slept when we were tired, ate when we were hungry, explored the island on foot and in our rented Ford Fusion. We spent a day in a covered cabana by the sea, alternating reading with looking out at the expanse of blue, blue Pacific. Most days, we took sight-seeing drives; there are no interstates, which I suppose is obvious, and there were few short stretches where the speed limit was a whopping fifty (mph). To put that in perspective, some of the roads I drive on daily in Austin have a speed limit of eighty! At first trying to go twenty-five in areas that looked like Texas-sixties was laughable, and it was very easy to creep up to forty and still believe you were crawling. Sometime in the second day, it clicked: you don’t need to go as fast when the distance is so short, and when the landscape is inexpressibly beautiful. There were many times we remarked that the most noticeable thing about Kaua’i was the intense unreality of it. The lush greenery, winds scented with plumeria and hibiscus, the perfect temperature that never demanded more than a light sweater, the sudden rains followed by brilliant rainbows: none of it seemed like part of our world. Star Trekkies, Kaua’i has got to be the genesis of Risa, the holiday destination in the stars. It is that perfect.

This is what vacation looks like.

I wasn’t expecting the wind. We get wind here in Austin, strong gusts that precede a distinct change in weather. In Kaua’i the wind was constant. It soughed through the palm trees outside, and fearless little tropical birds perched on the spines of palm branches. One little red-capped bird hopped onto our lanai, or balcony, and sang to Mr. Aniko. It was enchanting.

I’d read that it rains in Kaua’i almost daily, and I packed an umbrella. The umbrella was not equal to the winds, but it was better than nothing. The downpours tended to spring up without warning, and at dawn there was a curtain of rain that blew off of the sloped roofs in sheets of water. On the day we drove out to see the Waimea Canyon, the rains didn’t relent. We trekked up to one of the rainiest spots on the planet, in a downfall, smiling and laughing the whole time. Out on Po’ipu Beach, the afternoon showers would come in and feel so very chilly. You could tell the newcomers, who would scatter at the first drops, but everyone quickly learned that if you cover up with the orange-striped beach towel, you’ll stay comfortable and keep your book dry, too. The afternoon rains passed in a matter of minutes, and then the sun returned, baking us back to warmth as we enjoyed vibrant rainbows arcing through newly unperturbed sky.

rainbow!

Traveling, to me, is as much about experiencing cuisine as it is about sightseeing or relaxing. I drank coconut water from a coconut hacked open by a man with a machete. I ate a Hawaiian hot dog  which is entirely encased in the bun and seasoned with spicy mustard and fruit spreads. We shopped at Big Save and Sueoka’s grocery stories, picking up Hawaiian sweet rolls (in Hawai’i!!), sandwich meat, and breakfast provisions. We alternated granola breakfasts on our lanai, with scrambles at the earliest-opening breakfast joint near our hotel. The waitress there never remembered us, and often didn’t bring me what I ordered, but the kim chee scramble was really tasty, and came with rice instead of hash browns. Our most excellent meal was at Pizzetta, in Old Koloa Town. I got decadent white truffle-infused meatballs and pasta.  Prices in Kaua’i are out of this world expensive, with $12 scrambled eggs(!) and $35+ entrees at the nicer restaurants. Overall, the food in Kaua’i was better than what we had when we vacationed in Maine a few years back, but nowhere near as good as almost any restaurant here in Austin. However, Kaua’i had more wild chickens and crowing roosters than either Maine or Austin, and the charm and the breezes and the perfect temperatures more than offset the lackluster fare available for (somewhat) reasonable cost.

Would I hop on the next grueling flight back to the Garden Isle? Two days ago, I would have said yes. I’ll admit to crying when it was time to leave; being carefree, comfortable, and without stress is addictive. It is chilly in Austin now, still getting into the thirties (F) at night, and the traffic screams by on roads so fast there is no option of driving with the windows down and still enjoying a conversation. The predominant colors here are brown and gray, an ugly contrast to the greens, purples, yellows, and reds of Kaua’i. Even the airports on the mainland are less lovely, all enclosed and full of recycled air instead of open and allowing in tropical breezes like Kauai’s Lihue airport. Like I said, two days ago I would have said yes.

I'm holding a baby coconut!

Today, I’m not so sure. Some really overdue yard work reminded me that there is gratification in doing that can’t be born of lazing around. It is also nice to cook again; right now, I’m preparing Tuscan beans flavored with sage and garlic. That we can do our weekly grocery shopping for healthy foods  for just over what one day of eating cost us in Kaua’i is a definite plus. My dogs are happy to see me, and the little Yorkie is sitting in my lap as I write this, both of us snuggling together against the brisk and chilly breezes howling down the chimney. The most important thing about being home is the return of my sense of volition. When I am perfectly comfortable, as I was in Kaua’i, I have no impetus to create. Writing seemed like a silly thing to bother with when I could lay on a beach and let the island sing to me. Work? Ha! That seemed like a ridiculous thing to even consider when the wind shifted palm tree shadows across the lanai. Yet writing, tending my house, and going to work help me understand who I am. If I were to stay in Kaua’i, I’m not sure I’d be the person who could write novels. I’m not sure I’d still be me, and I don’t want to be someone else.

And isn’t that the real magic of vacation? To leave enabled me to return to daily life, glad to be home, and happy to be myself. Life may not always be paradise, but I need the discomfort of too fast cars, too busy days, and disconsolate brown landscape to spur me to creativity.

Mahalo,  Kaua’i, for reminding me of who I am.

Aniko on the Go

Creativity's Turning Gears

The creativity gears are turning, and I must tend them or be ground to something less than myself and more than icky. To do so, I need to take a break from the internet. I will not be blogging, tweeting, or Facebooking. What will I be doing? Writing. I intend to finish my novel by the end of 2012. Please wish me luck! And keep the lights on, ya’ll: I’m with you in spirit, even if I’m not commenting.

I will miss you!

xoxo,

-aniko

To keep you busy, here are some links to a few of my favorite posts:

Out of the Ambition Room

The Adventure of a Writer Reading

We Are What We Say

Provenance

Reading the Bee Leaves

And the Winners Are…

we hopped 'til we dropped!

Coffin Hop 2012, like all good parties, has left us with new friends and good memories. I enjoyed the variety and inventiveness of your Hop posts, and I was thrilled with the comments left here on my blog. I’m sure we’ll bump into one another again sometime, and then we’ll smile and say, “Remember when?”

xoxo,

-aniko

~~~~~~

Prizes were drawn by writing each commenter’s name on a slip of paper and putting it in a lovely felt basket with an owl applique. People who commented more than once got an additional entry for each comment. Once a slip of paper was drawn from the lovely felt basket with the owl applique (and green LED eyes!!), that paper was not put back for further drawings.

Haunted House Group Scream Winners

( Receive a copy of Stolen Climates )

Penelope Crowe

Erik Gustafson

Kim Koning

Carrie Crain

Milo James Fowler

Ann Michaud

Jennifer Stuart

James Garcia, Jr

Jolie du Pre

Jeanette Jackson

Jason Darrick

Bn100

Nina D’Arcangela

Joseph Pinto

Laura Thomas

The Blood-Curdling Scream Winners 

( Receive a signed Stolen Climates Postcard )

Carrie Crain

Erik Gustafson

Inion N. Mathair

Jason Darrick

Blaze McRob

fuonlyknew

Nina D’Arcangela

Joseph Pinto

Liese2

Anne Michaud

The Strangled Scream Winners

( Receive a Signed Stolen Climates Poster )

Nina D’Arcangela

Blaze McRob

The Pleasant Surprise Scream Winner

( Receives a bundle of fiction by The Emissaries of Strange )

Erik Gustafson!!!

The Grand Prize Scream Winner

( Receives the Stolen Climates themed goodies + the felt owl basket )

Kim Koning, come on down!!!

Congratulations on winning my Grand Prize! I hope you enjoy the waffle mix from Kerby Lane, which is a 24-hr diner in Austin that’s amazing. You could eat waffles and read The Haunting of Hill House, of which I’m sending you a physical copy. I’m also including a packet of cosmos seeds to grow in your garden, a signed Stolen Climates poster, and a severed hand!

All packed in a lovely felt basket with an owl applique!

Kim's Grand Prize

Happy Halloween!

Welcome, Coffin Hoppers! 

Prizes! Ghost! Spooky! Another ghost! Gross! Dark Spirit!

Quick Win: Leave a comment with the phrase “Mother Nature is not just a metaphor” to win Stolen Climates!

Today is the crowning wonder of the year for horror aficionados. It is also the last day of the 2012 Coffin Hop. I’ve enjoyed the variety and inventiveness of your posts, and hope you had a good time at my party!

Until 11:59 PM PST tonight, you can still enter to win several prizes, including the Grand Prize!

Grand Prize Scream!

Stolen Climates inspired goodies!!

One lucky, lucky reader is going to get a pack of fiction by The Emissaries of Strange, authors of Speculative Fiction.

How do you enter? By leaving a comment. I’ll post the winners here on Sunday, November 4th.

Happy Hopping!

xoxo,

aniko

One More for the Road

Welcome, Coffin Hoppers! Prizes! Ghost! Spooky! Another ghost! Gross!

Quick Win: Leave a comment with the phrase “Mother Nature is not just a metaphor” to win Stolen Climates!

The party is drawing to a close. Someone has already crashed on the guest bed. A couple of people are singing Smashing Pumpkin songs in the kitchen, wildly out of tune yet somehow in harmony. A few more are outside with the last of the absinthe and the hookah. You and I, though, we’re still on the couch, watching the candles guttering in the breezes as people bid us farewell.

“There’s just enough time for one more story,” I say.

You nod, adjusting your feet on the ottoman.

It was summertime in Coastal Virginia. The air was thick with humidity and the ozone of an impending thunderstorm was flickering in the distance like an otherworldly lighthouse. We were exploring the old center of a town that had long since moved on from it’s Old World charm. The houses were businesses: an ice cream parlor, a restaurant with a bar that sat three, an antique shop. It was the vintage shop that we were in when it happened, a place called Another Man’s Treasure. There were three of us shopping together, recent college grads on a Saturday afternoon – and just as boisterous as you can imagine. We were the only ones in the shop except for the proprietress. She sat behind her glass counter and her mechanical register, watching.

“Watching me in particular,” I say.

abandoned for a reasonI saw the stairs at the back of the shop as an escape from her strange attention, and I bounded up them two at a time. The top floor was a mess of old chairs, yellowing wedding gowns, and assorted taxidermied animals. I walked over to the far window, and looked out at an overgrown alley. On my way back to the stairs, I noticed a small room was blocked off by a dresser, the door covered by a shower curtain hung just above the entrance. I squeezed my way between the dresser, pulled aside the curtain, and opened the door. It was a bathroom, or what had once been a bathroom. The fixtures were gone, but it was clear where the sink and toilet used to be.  The room was lit with grainy light from a high window, and the black and white tiles were coated with a scrim of dust. At the very far end, where there should have been a tub, there hung another shower curtain.

Something was behind it. It did not move. It did not make a sound, yet I could feel it – a beastly, dark presence. If you’ve never felt something grab for your soul, be thankful, because it hurts and it is as scary as any hell that you can imagine. I staggered backwards, and bumped into the dresser blocking the door; I had forgotten it was there and a thin sound of panic escaped me. I was dizzy and close to blacking out, but a part of knew that if I did, I would die. Or worse.

There was something dark and evil, and it was trying to kill me.

I shoved my around the dresser, and kept backing away until I ran into one of the wedding dress draped chairs. The curtain swayed, a rhythmic motion too constant to be the result of my escape. Whatever had come for me, it was just beyond that curtain.

I bolted down the stairs. The old woman grinned at me. She laughed.

“The room is closed for a reason,” she said.

I told my friends I’d be waiting for them outside. In the following five years that I lived near Another Man’s Treasure, I never went back. Last I saw, the shop was closed, and the building was being gutted – and I can’t help but wonder what happened to the darkness that used to live there in the room that was closed for a reason.

Don’t forget: you can get a copy of my horror novel, Stolen Climates, and also be entered to win other fabulous prizes by leaving a comment. Remember: lurking’s for dark spirits! Comments are for people!

Going for the Gross Out

Welcome, Coffin Hoppers! Prizes! Ghost! Inspiration! Another ghost!

Quick Win: Leave a comment with the phrase “Mother Nature is not just a metaphor” to get an ebook of Stolen Climates.

Our visit to the field left us chilled, so we decided to warm up in the living room. The paprika colored walls reflect the warmth of the fire, and every now and then someone cuts through the room, dragging the cold outside air along behind them like a ghost. We’re on the couch, sipping scotch and pretending that it is only the temperature making us shiver.

When the party gets quiet, as even the rowdiest parties do, we can still hear the distant screams. The sound steals in through the chimney, moves through the flames, joins us on the couch. As the one who set the mood by telling a ghost story in the middle of a haunted field, I feel obligated to lighten things up a bit; like any writer, the only thing I can think to talk about is writing.

The most I can promise is that this particular story won’t involve ghosts. It might go for the gross-out, but that’s just the risk you take. I top off our drinks, set the bottle on the end table and move slightly closer to you.

hey how for halloween!

Not everything in Stolen Climates was inspired by other artistic creations. A bit of it was lifted from real life. From my life.

In the backyard, near the door, there is a flower bed. The first year we lived in the house, a plant that looked like a cross between a sego palm and a philodendron grew in that flower bed. We thought the drought of the following summer killed it; there were no more leaves, just a cactus stump no more than a few inches high. That fall, I crouched to pull weeds and fallen leaves out of the bed; my knees were pressed into the dirt, my gloved hands seeking. It is possible I was listening to music, and it is possible the wide sky was blue. All I remember clearly is the pain. A sudden, literally stabbing pain.

I peeled my glove from my left hand.

A thorn was shoved under my fingernail. It was a quarter inch long, and I could see the thick line of it under my nail. It stuck out of the tip of my finger, a fat wooden stake.

Apparently, the sego-philodendron grew a crown of thorns and, apparently, I had bad luck.

The thorn hurt, but it was too strange and too unbelievable not to share. I went inside, to where my husband sat in his office. I think I asked him if he wanted to see something cool.

I added that scene to Stolen Climates, although I amped up the supernatural causes for it. You can win a copy just by commenting, and every comment is another entry to win one of my Scream-y prizes. Don’t be shy!

School “Spirit”

( Welcome Coffin Hoppers!  Prizes! Ghost Story! Inspiration! Grim Reaper! )

Quick Win Steps: Leave a comment with the phrase “Mother Nature isn’t just a metaphor” and win an ebook of Stolen Climates!

It is nearing midnight. We are walking across the street to the field I told you about earlier, the one where you either hear an owl or a something else. I can’t say for certain the spot is haunted, but it is always cold.

We walk up the abandoned side street, past the cracked pavement falling prey to waist high weeds. We step around two boulders, and into the field. A path cuts through the center of the clearing; it is nothing more than cracked earth, trampled grass, and the souls of sunflowers left to wither when the Summer left. Wind whispers entreaties that draw us forward, right into the center of the field. I  stretch one hand out as if to grasp the difference in temperature, while you try to huddle within yourself against the cold.

“How long do we wait?” you ask.
“I don’t know,” I say. “Would you like to hear a ghost story?”

You either of shiver or nod, I can’t tell which, but I start the story anyway.

A Gate into Mary Washington College

Credit snakepliskins, via flickr.

I attended a small liberal arts college that happened to be built on a Civil War Battleground. One of the dorms was used as a hospital, and the road running along the base of the hill upon which the college perched was the repeated scene of bloodshed. What is now a bucolic Campus Walk was once peopled with soldiers but, on the night I’m going to tell you about, I was alone on the mile-long length of brick road.

At about the midpoint of  Campus Walk, there was a bridge. It crossed a stream, and then Campus Walk continued up the hill on the other side. Most of the time, the area was full of students, full of activity. That night it was cold and, at 3 AM, even the partiers had taken refuge. The campus was silent except for my echoing footsteps.

At first, I wasn’t sure what I was seeing. There was a figure in the distance. It appeared to be moving very quickly, but was not getting any closer and I couldn’t tell if it was moving away from or towards me. I stopped and watched, conscious of my isolation.

I could not see his face, and I still couldn’t tell which direction he was going. His legs moved with a strange stop-animation motion, like a really bad video revving forward and backward in a jerky loop. His long blue coat fluttered around his neither-this-way nor that-way legs, but he didn’t get closer to the other end of the bridge, nor did he recede into the distance. I looked behind me, at the long walk back the way I came. I looked forward, at the soldier – for by now that’s what I thought he was.

I started across the bridge, my heart pounding and my armpits slicking with nervous sweat despite the cold turning my breath into a hazy gray banner announcing my approach.

When I reached the midpoint, the soldier disappeared. I stopped again, just as freaked out by this as I had been by his appearance. I took a deep breath and made a run for it. I got to the philosophy building and I spun to look behind me.

There was no soldier.

In fact, no matter how many late nights I walked that campus alone, I never saw the soldier. To this day, I can still picture the oddity of his movement, the bewildering way in which he went nowhere while moving very fast.

Just as I wrap up my story, you say:

“Listen!”

In the distance, there is something screaming. The air is colder now, almost unbearable. The scream echoes, and is impossible to pinpoint.

We run.

Don’t forget: you can get a copy of my horror novel, Stolen Climates, and also get a chance to win some other fabulous prizes by leaving a comment! Remember: lurking’s for ghosts! Comments are for people!