A Sort of Sex/Wine Triumph

My editor, Jacinda Little, is amazing. Jacinda’s guidance in structuring MIXED MEDIA is responsible for the tension that makes the juicy bits all that more delicious.  Thanks to Jacinda, the protagonist of MIXED MEDIA discovers the sensuality thrumming beneath the surface of a still life.

Still Life with Figs by Luis Egidio Melendez, via Art.com

Still Life with Figs by Luis Egidio Melendez, via Art.com

An Excerpt from MIXED MEDIA:

An angel with a pixie cut, she sat at the end of a bench. She conceded a small, welcoming smile before shifting attention to her work. I wanted to swallow her whole, digest the miracle of her fixed stare. Instead, I took a place next to her and started drawing. Together, we created twin reflections of Melendez’s still life with figs. We caressed the sensual curves of the fruit; lovingly shaded the leavened bread; detailed the sweet-juiced slit of an opened fig. Sarah and I finished at the same time, a sort of sex/wine triumph.

I glanced at her. She laughed and said, “I never noticed how thoroughly sexual this painting is. Even the bread looks feminine.”

“Maybe it’s only erotic because we looked at it together.”

“Are you hitting on me?”

I closed my sketchbook, hiding the juicy fig.

“Don’t blush. I didn’t mind.” She extended her charcoal smudged hand. “I’m Sarah.”

 About MIXED MEDIA:

Story Blurb

Mario Santa Maria is an artist who has lost his dreams – literally. Insomnia, unemployment, and a failing relationship are his lot. Things are going badly, and then things get strange. On a visit to the Vos Modern Art Museum, Mario discovers he has the ability to intercept the communication between art and a viewer. MIXED MEDIA is a surreal tale of masterpieces, Delphic sugar cubes, and the promise of new perspectives.

What’s hidden by what we see?

You can read MIXED MEDIA for free (PDF), or purchase it on Amazon (5.0 out of 5 stars). If you enjoy the story, please consider leaving a review on Amazon or Goodreads.


The image included in this post is courtesy of Art.com, where you can purchase prints of this work, and thousands of others. Want some art? Click the Rafflecoptor button to enter for a chance to win a $25 (USD) gift certificate at Art.com!

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We Always Want to See What Is Hidden

Le Fils de L'Homme by Rene Magritte, via Art.com

Le Fils de L’Homme by Rene Magritte, via Art.com

Magritte’s Le Fils de Le Homme (The Son of Man) inspires a sense of dread. The blank water behind him, the obscured face, and the surreal placement of an apple all conspire to make you want to do one thing: see what the man looks like. In MIXED MEDIA, the protagonist Mario Santa Maria discovers he can only see artwork when he intercepts the communication between the viewer and the piece of art. The blank, featureless black that devours the paintings at the Vos Modern Museum is analogous to Magritte’s apple. Mario’s ability to see through the darkness is the equivalent of plucking that apple out of the air and exposing the features of The Son of Man.

You can read MIXED MEDIA for free (PDF), or purchase it on Amazon (5.0 out of 5 stars). If you enjoy the story, please consider leaving a review on Amazon or Goodreads.

Excerpt from MIXED MEDIA:

“What do you see when you look at that book on the coffee table?”

“A picture of a man with a floating green apple in front of his face.”

“Do you know what I see?”

She shrugged.

“Nothing. I see a black rectangle where the picture should be. Magritte, the artist who painted this, explained it by saying ‘everything we see hides another thing, we always want to see what is hidden by what we see.’”

Darla clutched the bear to her chest. “What does it mean?”

“I think it explains what’s happening to me.”

“What, Mario, what’s happening to you?”

“I’ve been chosen for something.”

“Chosen?” she repeated.

“You make it sound crazy.”

About MIXED MEDIA

Mario Santa Maria is an artist who has lost his dreams – literally. Insomnia, unemployment, and a failing relationship are his lot. Things are going badly, and then things get strange. On a visit to the Vos Modern Art Museum, Mario discovers he has the ability to intercept the communication between art and a viewer. MIXED MEDIA is a surreal tale of masterpieces, Delphic sugar cubes, and the promise of new perspectives.

What’s hidden by what we see?


The image included in this post is courtesy of Art.com, where you can purchase prints of this work, and thousands of others. Want to help me celebrate publication? Click the Rafflecoptor button to enter for a chance to win a $25 (USD) gift certificate at Art.com!

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Wisdom Tooth in the Belly of a Worm

The difficulty with having a mystical experience is that no one is going to believe you. You probably won’t believe you. Insanity seems like a better answer than discovering you’ve got some special access to the truth underpinning reality. I put Mario Santa Maria, the protagonist of my surreal short story, MIXED MEDIA,  in the situation of being called to an extraordinary purpose that also happens to be unbelievable. His girlfriend, Darla, thinks he’s lost it and wants him to get help. Mario himself isn’t sure what to make of it all. I chose The Scream as the perfect painting to represent the terror, shock, and apparent insanity of Mario’s new abilities.

You can read MIXED MEDIA for free (PDF), or purchase it on Amazon (5.0 out of 5 stars). If you enjoy the story, please consider leaving a review on Amazon or Goodreads.

Mario Faces Darla’s Doubt

The Scream by Edvard Munch, via Art.com

The Scream by Edvard Munch, via Art.com

An Excerpt from MIXED MEDIA:

“I haven’t lost touch with reality.”

“Then what is this?” Darla spread her arms, indicating the coffee table, the mess, me.

“I’m sorry I’m such an inconvenience for you. I thought you understood why I had to quit that job. Retouching prints with cheap paint to give it an ‘authentic texture’ was perverse. It killed my inspiration, and then stole my dreams.” I finished shading a wisdom tooth in the belly of a worm, and tossed the sketch book onto the coffee table.

Darla’s lower lip quivered. Her nose whistled, a high-pitched reminder of the all the coke she’d done. “You need help,” she repeated.

“Thanks, but I’m fine.” I passed her the Vos bag. “I got this for you.”

She pulled out the bear and adjusted its tiny shirt. “Do you really think you can fix this with a stuffed animal?”

“No. There are postcards in there, too.”

Darla tucked the bear under her arm and fished in the bag. She shuffled the postcards. Escher and Munch appeared and disappeared in exquisite detail. When she set them on the table, the images morphed to black. “Should these mean something to me?”

About MIXED MEDIA:

Mario Santa Maria is an artist who has lost his dreams – literally. Insomnia, unemployment, and a failing relationship are his lot. Things are going badly, and then things get strange. On a visit to the Vos Modern Art Museum, Mario discovers he has the ability to intercept the communication between art and a viewer. MIXED MEDIA is a surreal tale of masterpieces, Delphic sugar cubes, and the promise of new perspectives.

What’s hidden by what we see?


The image included in this post is courtesy of Art.com, where you can purchase prints of this work, and thousands of others. Want a chance to win $25 at Art.com? Click the Rafflecoptor button to enter the giveaway!

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Groovy Escher!

Welcome to the second installment of the launch jubilee for my surreal short story, MIXED MEDIA! You can read MIXED MEDIA for free (PDF), or purchase it on Amazon (5.0 out of 5 stars). If you enjoy the story, please consider leaving a review on Amazon or Goodreads.

And now… the jubilee continues!


I was in college when I was introduced to Escher’s work. His mazelike, self-referential images expressed the way my dual studies in Physics and Philosophy intersected in my mind. One insight always fed into another, and often at unexpected angles. Mario Santa Maria, the protagonist of MIXED MEDIA is in a similar mental state as he learns to navigate his new ability to intercept the communication between art and a viewer.

Mario and The Girl Who Wore Docs

 

Drawing Hands by M.C. Escher via Art.com

Drawing Hands by M.C. Escher via Art.com

An Excerpt from MIXED MEDIA:

A pair of women’s shoes appeared on the cracked pavement. They were heavy Doc Martins, the sort Darla would never wear. I drew myself upright and leaned against the cool Plexiglas of the bus stop.

“You good now?” she asked.

“Can I show you something?”

“God, not another perv! I will spray your dick with Mace.”

“That really won’t be necessary.”

“You’ve been warned.”

“I just want to show you a postcard.”

She raised an eyebrow. Her buzz-cut hair was glorious, Manic Panic pink. Cars flowed past us, more colors, but none as bright as her hair. I plunged my arm into the bag and retrieved a card. “Please, look.”

“I’ll probably regret this.” She turned only her eyes toward the postcard, paused, then swiveled her whole body towards it. “Groovy Escher!”

About MIXED MEDIA:

Mario Santa Maria is an artist who has lost his dreams – literally. Insomnia, unemployment, and a failing relationship are his lot. Things are going badly, and then things get strange. On a visit to the Vos Modern Art Museum, Mario discovers he has the ability to intercept the communication between art and a viewer. MIXED MEDIA is a surreal tale of masterpieces, Delphic sugar cubes, and the promise of new perspectives.

What’s hidden by what we see?


The image included in this post is courtesy of Art.com, where you can purchase prints of this work, and thousands of others. Want a chance to win $25 at Art.com? Click the Rafflecoptor button to enter the giveaway!

Click to enter!


 

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Brighter than a Technicolor Dream

Welcome to the launch jubilee for my surreal short story, MIXED MEDIA! This is the first in a series of posts to celebrate publication, and no celebration is complete without a door prize! Click the Rafflecoptor button to enter for a chance to win a $25 (USD) gift certificate redeemable at Art.com!

Click to enter!

Mari Biella, my friend and author of THE QUICKENING and LOVING IMOGEN,continues the launch festivities on her blog. In my guest post, I discuss the inspiration for MIXED MEDIA.

Story Blurb

Mario Santa Maria is an artist who has lost his dreams – literally. Insomnia, unemployment, and a failing relationship are his lot. Things are going badly, and then things get strange. On a visit to the Vos Modern Art Museum, Mario discovers he has the ability to intercept the communication between art and a viewer. MIXED MEDIA is a surreal tale of masterpieces, Delphic sugar cubes, and the promise of new perspectives.

What’s hidden by what we see?


Welcome to Vos Modern

Excerpt from MIXED MEDIA:

In this passage, Mario discovers that he can no longer see any art in the gallery when he is by himself. He has just emerged from the Visiting Exhibit, stunned by the nihilism of a display consisting of several canvases apparently painted black.

***

The Contemporary Art exhibit was in the next room; it was well-lit, and the floor creaked with familiar goodwill. Color exploded from the canvases, brighter than a Technicolor dream. O’Keefe’s southwest yellow-orange-red swelled near Rothko’s angular green-blue-brown. It was all as I remembered it, as colorful and mind-expanding as I remembered — and then it wasn’t. The encroaching black slid over the Contemporary masterpieces. The yellow-hued Ashley to my left went blank. There was no yellow on the canvas. No yellow, no red, no green-blue-brown, not even a pastel. Just black.

 

Blue, Green, and Brown by Mark Rothko via Art.com

Blue, Green, and Brown by Mark Rothko via Art.com

Mellow Yellow II by Erin Ashley, via Art.com

Mellow Yellow II by Erin Ashley, via Art.com

Red Amaryllis, by Georgia O'Keefe via Art.com

Red Amaryllis, by Georgia O’Keefe via Art.com

Author Commentary:

The Vos Modern Art Museum isn’t a real venue. This allowed me to  gather the pieces that spoke most deeply to my story under one (imaginary) roof. I chose the Rothko because there is something about the shading in the blue that leads me to imagine distant pine trees shrouded by a midwinter night. The brown and green beneath promise Earthy rebirth, and this symbolizes Mario Santa Maria’s situation. Mellow Yellow II invokes thoughts of ripe wheat fields, and the idea of harvest. This, too, represents Mario, specifically his quest to understand the purpose hidden in his strange new ability, which first manifests just after the passage included in this post. O’Keefe’s flower conveys a sensual richness that represents the flowering of Mario’s understanding.

 Read MIXED MEDIA for free here:

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The images included in this post are courtesy of Art.com, where you can purchase prints of these works, and thousands of others.


 

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